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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper aims to trace the thoughts of Baekseok during the Japanese ruling era, focusing on the relation between his poems and postcolonial writing. Baekseok’s writing has a characteristic in his imagery for the subject identity considering the colonialism, by the poetic strategy in which he thinks of the past. The continuous consciousness of tirne in Baekseok’s collection of poems, Deer, is tradition orientation. This tradition orientation is an important concept in Baekseok’s poetry because he thinks of the problems of reality through reminiscing about the past. Baekseok resists the violence of reality, through the postcolonialism of ‘remembering’, which forces to forget the things getting away from the memories.
Resisting by imagery of memory can be a concrete and literary practical action, resisting the violent speed of reality. Baekseok appeals resisting against the consciousness of time of change and speed which modern or modernity was bearing. He uses a strategy to make space with time or to make sentences in parallel as a postdualistic and postcentric writing, so that he shows delay and de-construction of causality as well as consciousness of anti-modern against modern writing. This point is not only a clue which leads us to understand the identity of poet who thinks of reality, but also a symbol, as a sort of writing, which gives us a type of postcolonial writing to cure the colonialism of the time.
Resisting by imagery of memory can be a concrete and literary practical action, resisting the violent speed of reality. Baekseok appeals resisting against the consciousness of time of change and speed which modern or modernity was bearing. He uses a strategy to make space with time or to make sentences in parallel as a postdualistic and postcentric writing, so that he shows delay and de-construction of causality as well as consciousness of anti-modern against modern writing. This point is not only a clue which leads us to understand the identity of poet who thinks of reality, but also a symbol, as a sort of writing, which gives us a type of postcolonial writing to cure the colonialism of the time.
목차
1. 서론
2. 기억하기, 공간의 장소화의 지역의 발견
3. 저항하기, 시간의 공간화와 반근대적 사유
4. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2013-710-003493001